Tuninetti argues that at the College in Rome he eventually found, and was profoundly attracted by, what he had long been looking for: the opportunity to participate in the daily life of an established Catholic community—at a time when he was considering his own vocation within the Church of Rome.
This article argues that Newman’s notion of a philosophical habit of mind can provide a helpful conceptual framework for navigating conversations about reading, appropriating, and extending his philosophical thought.
This essay will introduce readers to Lingard, one of the major intellectual lights of the English Catholic community when Newman joined it in 1845 at Littlemore.
This lecture addresses the theme in St. John Henry Newman of the gradual—some would even say ordinary—pursuit of holiness throughout the course of the course of our human lives.
Composed in 1900, a decade after the Cardinal’s death, Elgar’s Gerontius is not a collaboration but a new interpretation. What, then, did Newman’s poem mean to Elgar, and how did the composer articulate Newman’s vision musically?
